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Memories of System 7.5

Almost everything good that has ever happened in my life can be traced back to my early experience with a Mac. The first family computer that ever lived in my house was a Performa 6116CD

I absolutely loved that thing, especially by contrast with the rest of my life. School was typically dull: I spent very little time learning about anything that was important to me. I think I could count the number of friends I had with half of one hand – and they were certainly outnumbered by people who disliked me but couldn’t find constructive ways to express those feelings. My home life was no picnic, either.

Yet none of that mattered when I was at the keyboard of my Mac. It was, all at once, a second school, a conduit to another world, an infinitely deep toolbox and a magic wand of indescribable power – running at 60 MHz.

I thought it would be fun to venture down memory lane and revisit my Mac of 1995. Of course, the hardware itself is long gone. But through the magic of Sheepshaver, I’ve been cobbling together the scraps of my favorite childhood memories. Other kids had sports, comic books or Jesus. But the thing I believed in was my Mac.

System 7.5

My childhood experience with the Mac spanned System 6 through Mac OS X 10.2 but System 7.5 was easily the golden age. That would be the first time I had long-term access to a machine I could customize any way I wanted.

Once installed in Sheepshaver, even through an emulated PowerPC processor, System 7.5 is extremely performant compared to 16 years ago. On a Late 2010 MacBook Pro, loading from an SSD, boot time is about two seconds, compared to about 30 seconds in 1995.

The cheerful parade of Extensions and Control Panels marches at the bottom edge of the screen. Performance be damned, I loved collecting these.

Of course, the System 7.5 era was extremely long – an interminable wait for Copland, the next generation operating system that would make unicorns fly from your 4x CD-ROM drive. As time went on, the UI started to look pretty stale.

So it’s important to install one of my favorite extensions from the period, called Aaron, to spruce things up a little:

That’s better. Aaron adds a little flair and dimension to the otherwise flat and bland System 7-era UI and I liked it a lot better. Even at 10, I was starting to be curious about the nuances in UI design.

AOL

AOL was my very first taste of the internet. I believe our first bill came out to $80. So that didn’t last long. Luckily, their unlimited dialup service showed up about a year later, so I would be back in action. Sadly, but unsurprisingly, you can’t actually use the AOL client anymore. Still, I got to poke around with the modem configuration panel that was a frequent source of frustration once upon a time.

ClarisWorks

This little suite was bundled with the Performa. Very little to be excited about here but I spent so many hours cranking out school reports and other projects in its Word Processing, Paint and Vector Art modules.

Hotline

The gravest of my youthful indiscretions was easily my voracious appetite for pirated software. Enter Hotline. Before Napster, before Gnutella, before BitTorrent, there was Hotline. Hotline let anyone set up a file server on their home computer. It included chat, BBS and persistent user accounts, too. Vibrant communities sprung up around these little amateur servers. They dedicated themselves to everything from religious evangelism to technical support to sharing anarchist/conspiracy text files. Of course, being the internet, there would be plenty of pirated software in the mix.

To my utter delight, the mid-90′s version of Hotline I got started with so many years ago not only still works, there’s even a handful of servers still in operation. Back then, I was lucky to pull down files at 2.8 KB/sec via dialup. A limitation of either Sheepshaver or Open Transport, the aged TCP/IP stack Hotline uses, now caps me at 60 KB/sec, but that’s a big improvement I’d have killed for as a kid.

Hotline is a major hinge in my history. With access to so much software, I dedicated myself to learning how to use it. I rarely had access to any documentation beyond what was built into the apps so it was often an exercise in trial and error. It was also fun beyond words.

This began my life-long study of interfaces and user experience. If this hadn’t happened, I have absolutely no idea what I’d be doing with my life right now.

Photoshop

Hotline could be extended with customized icon sets. If one of the two dozen included user icons didn’t strike your fancy, you could create your own. The trouble was that only other users with your custom icon file could see your handiwork.

Of the thousands of active Hotline servers in operation during its golden age, two emerged as dominant tribes vying for the loyalty and patronage of the masses. Known as BadMoon and SoSueMe, the servers collected thousands of customized user icons and then distributed them as authoritative custom icon sets.

Of course, I wanted to get in on this. ClarisWorks’s Paint module really wasn’t up to the task, so I had to find and learn Photoshop 3.0. This little head-start on graphics tools ended up being important – years later, I’d be able to design my own UI elements thanks to this early noodling.

It meant days of downloading but it was worth it.

One striking thing about Photoshop 3.0 is how very little has changed after all this time. The color picker is identical. There are the many cluttery pallets for layers, brush diameter, colors, and channels. Later versions would introduce layer styles, which were awesome but a little rigid, and endless other bits of junk. The overall workflow, aside from crappy Save For Web, remains much the same. (This is why I now use Opacity to design UI – it’s built for how I actually work.)

ResEdit

I loved ResEdit when I was a kid. Apple’s resource editor let you poke your nose into most system files and applications, revealing image assets, icons, interface elements and plenty of other technical goodies I didn’t really grok at the time. It was surprisingly deep, including a little MacPaint-like editor for the icon files along with a drag-and-drop interface editor. At the instigation of David Pogue and Joseph Schorr, I recall using it to make the bloated trash can look filthy and overflowing.

Gaming

No exploration of Mac history would be complete without a look at some of the platform’s greater gems of gaming. PC’s may have had more games by volume but the Mac didn’t have any shortage of fun, either.

Escape Velocity

I sunk so many hours into EV, it’s not even funny. A nerd who grew up on Star Trek and other scifi, I found this game’s premise of space exploration, commodity trading, secret missions and interstellar combat extremely compelling. Entire Saturdays vanished into its gaping maw.

Marathon 2

Before Halo, Bungie made Marathon. It was a rich story of treachery and tragedy among the stars. Crazy AIs and three-eye aliens all trying to get you killed while you blast things with enormous guns. No full-motion video cinematics here, though. If you wanted story, you had to read.

SimCity 2000

I was terrible at SimCity. My budget rarely balanced, my people always complained.

I loved it anyway. SimCity 2000 is still surprisingly playable, too. Definitely a timeless piece of work.

End of an Era

The way many expected the System 7.5 era to end was pretty bleak: Apple collapses, the Mac dies, and its software and hardware begin to decay into uselessness.

Of course, history went a different way. I’m glad that Apple survived long enough to ship Mac OS 7.6 and OS 8, that in the time since Apple has rebuilt itself into the juggernaut of its industry. Mac OS X beats the hell out of anything that came before it. I still remember picking up my copy of Macworld at the supermarket and learning how Apple bought NeXT – and hoping that the future would bring brighter days for everyone’s favorite “beleaguered” company. And it did.

Still, I’ll always look back with fondness on those days of innocence before a Unix shell was a keystroke away, before every UI interaction was beautifully animated, before we measured even the tiniest of hard drives in gigabytes, before collaborative multi-tasking and protected memory. When using the computer was new and exhilarating. When the Mac was more than just tool – when it was an escape to another realm of existence. Those were the days when a little boy, without coming anywhere close to realizing it, laid the groundwork for all the wonderfully fun things he’d get to do years later as a man. I learned way more from my Mac than school ever gave me.

Thanks for the memories, Apple.

  • Danilo, thanks for sharing YOUR memories. My first Mac was a Quadra 660AV, but I had to wait for it — and I was glad I did. I was originally set on getting an LCIII, but an experienced cousin told my Dad otherwise. I still remember saying “Hello, computer!” with the little robot dude blinking back at me. Like yourself, having a Mac (as Steve Jobs said, “a bicycle for your mind”) was the foundation for many things I enjoy today, and can trace their clear lineage back to Mac.

    Did you ever use Kaleidoscope? I was obsessed with remaking my UI. Combining another fervent interest at the time, I made an Ally McBeal theme. I also used ClickChange and designed tiling wallpapers — I remember thinking 64×64 pixels was incredibly expansive! (Years later, I’d do http://bit.ly/tortex )

    Wow, each of your paragraphs awakens more things I went though. It’s crazy thinking there was a time we actually had to WAIT to get on the Internet and it wasn’t always-on.

    I was excited about the ClarisWorks 2 -> 3 upgrade. I remember when it was rebranded as AppleWorks. Even being able to snap-to-grid and precisely position elements got me giddy. But during the earlier times, I thought it was so amazing to have a color inkjet printer. I made sure to use it excessively in my science and other class reports. I felt so accomplished placing those papers in a neat Duo-Tang like some government official.

    During the era, I was more into Color-It! than Photoshop, but my little brother encouraged me onwards. Being able to “make your own filters” with a “convolution kernel” was light-years behind today’s Filter Forge, but it got me started down that hungry path. Did you ever use the early Kai’s Power Tools plugins, with their psychedelic orbs and uber-embossed buttons?

    I picked up a ResEdit book — can’t remember the name — that prompted me to turn the Flying Toasters screensaver into muffins and coffee. OMG, I just found the book! http://www.amazon.com/Resedit-Night-Diner-Book-Disk/dp/1568300247

    I recall the repeated risks of editing your system icons, and more than one occasion in which I bashed things up and had to restore from a painstaking backup made with Dantz Retrospect (whose ads memorably exclaimed something akin to, “You can’t move forward if you don’t backup!”) No Time Machine then.

    And in Escape Velocity, how if you played it unregistered for awhile, there was this really annoying ship that would try to gun you down.

    And how I found it weird how DOOM and other FPSes of the time didn’t have such a rich plot as Marathon — I thought a “read-and-shooter” was the norm! Marathon 2 had the “jingle bell” easter egg comprised of all those poor bastard Bobs screaming in pitched tones. As described @ http://marathon.bungie.org/story/music.html and heard @ http://www.youtube.com/watch?v=s60u5yGxS2g

    SimCity arcologies influence me to this day, and the isometric art style lives on with pixelart.

    By exploring where we’ve come from, we can better understand where we’re going!

    Torley

    April 10, 2011

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